The latest string of funerals in EastEnders is more than a string of emotional send-offs—it’s a masterclass in grief storytelling, delivering soul-crushing moments, buried secrets, and seismic emotional shifts across the Square.

The atmosphere is set with a slow procession—a tribute to Pat and Frank’s past, echoing bittersweet joy. Yet this is no celebration. One mourner reflects how every new death brings her back to burying her own parents. Grief in Walford is never clean; it’s a layered, recurring ache.

A mother struggles through a heartfelt speech about her deceased partner. Her voice is strong, but her heart is shattered. “I just wish that in the end I could have saved him.” The eulogy spirals into a confessional of love and helplessness. This isn’t just mourning—it’s a woman wrestling with the cruel finality of regret.

But nothing prepares us for Peggy’s unforgettable confrontation at Den’s funeral. With Chrissy Watts stoically standing in black, Peggy storms in like a thundercloud. “This is exactly the time and place,” she snarls, throwing accusations like daggers. The line between grief and justice blurs, and Den’s coffin becomes the battleground for one last Mitchell war. EastEnders dares to show that funerals aren’t always peaceful—they can be battlegrounds for truths too long buried.

Then there’s a moment of striking contrast. Felix, dressed as his drag persona Tara Misu, honors his father with a song. It’s theatrical, touching, and rebellious all at once. A family’s love is showcased not through tradition but through authenticity. It’s a reminder that there’s no single way to mourn—only sincere ones.

Avery’s farewell is equally powerful. His brother speaks with trembling lips, recalling childhood memories and expressing gratitude for the gift of fatherhood Avery left behind. It’s a heartfelt reconciliation. “You gave me the gift of these wonderful boys… I’ll never let them down.” Even in death, Avery brings his fractured family closer.

But not all funerals bring peace. A woman breaks down trying to eulogize her estranged mother, choking on pain rather than words of praise. “You weren’t there,” she confesses, walking away from the podium. It’s an act of emotional honesty that stands out—a raw, rare admission that not all relationships are healed by death.

Sonia’s farewell to Jamie is, without question, the emotional pinnacle. Her heartache bleeds through every word. She recalls texts filled with kisses, memories that are now haunting reminders of what she’s lost. “Jamie was the love of my life,” she whispers. Her voice is cracked but brave. She plays their song—meant for their wedding—at his funeral instead. It’s a moment that lingers long after the screen fades to black.

EastEnders leaves no stone unturned in this masterful tapestry of farewells. From explosive accusations to silent sobs, from heartfelt reconciliations to gut-wrenching regrets, the Square is shaken by the weight of grief.

These aren’t just goodbyes—they’re emotional reckonings. In Walford, even in death, the past claws its way to the surface. And as the mourners walk away from the graves, one thing is clear: these funerals will haunt them—and us—for a long, long time.